Kaavish’s Gunkali treads the popular with the mature, skillfully. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly. In Koi hai toh sahi, fellow band member, Maaz Maudood joins Jaffer for a passionately fervent call for togetherness, even as the track soars to an almost-unrelated note! The best tracks of the album are the tenderly tuned Dekho and musically-rich Tere pyaar main the latter uses Rahat Ali’s flute and Javed Iqbal’s violins as well as Jaffer’s vocals in a harmonious tune with enormously imaginative orchestration. We're doing our best to make sure our content is useful, accurate and safe. Sunn zaraa and Dil main meray are more pensive, with the latter’s interlud’ish guitar work making a case for itself. Out of the other 7 tracks composed by Jaffer, Chaand taaray and Chalte rahein impress with their soft, melodic appeal and that tinge of classical. Nayyara’s lyrics feature in Bachpan too they strike a chord with the nostalgic portraits and the appropriately mellow tune credited to Jaffer and Zohaib Kazi. But the tunes make all the difference! Jaffer’s mother, the incredibly talented Nayyara Noor, composes and writes 2 songs – Piya dekho na and Moray sayyan both are soulfully old-fashioned, with arrangements that blend flawlessly. Jaffer Zaidi’s thick’ish voice hangs like a heavy cloud waiting to pour – like Raghu Dixit’s, minus the panache.
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